Tom Skinner performs “Bishara,” from his just-released album, Voices of Bishara, in a new video filmed at St. Luke’s Church in West Holloway, London, in September. The performance features Skinner on drums and percussion, Tom Herbert on acoustic bass, Kareem Dayes on cello, Chelsea Carmichael and Robert Stillman on tenor saxophone, and Paul Camo on samples. You can watch it here.

Voices of Bishara, the new album from drummer, composer, and producer Tom Skinner (The Smile, Sons of Kemet) and the first recording under his own name, is out now via Brownswood / International Anthem / Nonesuch. "Voices of Bishara is one of the top three jazz albums of 2022 so far and it would take the second comings of John Coltrane, Charles Mingus, Horace Silver and Lee Morgan to threaten to dislodge it," exclaims All About Jazz in a five-star review. "Voices of Bishara is a terrific affirmation of what makes Skinner so interesting as both a drummer and now a composer," says Treble. "It’s a thrilling, lively record and one of the best jazz releases this year."

Tom Skinner has released “The Journey,” the latest single from his forthcoming new album, Voices of Bishara, out November 4, as well as a live performance video of the track, featuring himself on drums and percussion, Tom Herbert on acoustic bass, Kareem Dayes on cello, Chelsea Carmichael and Robert Stillman on tenor saxophone, and Paul Camo on samples. You can hear the new song and watch the video, filmed last month at St. Luke’s Church in West Holloway, London, here.

Drummer, composer, and producer Tom Skinner (The Smile, Sons of Kemet) releases his new album, Voices of Bishara, the first recording under his own name, on November 4, via Brownswood / International Anthem / Nonesuch. Its title references cellist Abdul Wadud's 1978 album By Myself, which was pressed on Wadud's label, Bisharra—an Arabic name meaning "good news." Voices of Bishara began life when Skinner asked some musician friends to join him for a Played Twice session at London's Brilliant Corners, in which a classic album was played in full through the venue's audiophile system, and a live ensemble improvised a response. That night focused on drummer Tony Williams' 1964 album Life Time; the music they conjured inspired Skinner to write an album's worth of new music.